by Michela Ianniciello
From the accordion inherited from his father, through the violin and viola, to the fascinating world of bows: the artistic path of Walter Barbiero, 57 years old from Mirano, in the province of Venice, is an exciting journey through different dimensions of music. After playing as a violist in numerous orchestras, at 27 he moved to Paris to follow the passion he had cultivated since childhood: woodworking. He studied with internationally renowned masters such as Nelly Poidevin, Christian Barthe and Emmanuel Bégin, before returning to Italy after two years and starting his own laboratory in the province of Padua, in Piombino Dese. We met him in view of his participation in Cremona Musica International Exhibitions and Festival, scheduled from 26 to 28 September this year.
Let’s get to the heart of his works. What materials do you use to build your bows?
A bow maker, like a luthier, is a creative person: he needs warm, living materials. I believe that wood is the only element that has a soul, allowing the musician to convey emotions. To date, no synthetic alternative, neither carbon nor fiberglass, can compete. They have, without a doubt, interesting technical characteristics, but they lack that vitality that only natural elements can offer.
A precious Stradivarius violin and a 200 euro bow: an impossible pair?
Why not? There is a preconception that a cheap bow cannot enhance the qualities of an instrument, but the reality is very different. What really matters is the particular combination that is created between the two. The effectiveness of this combination is not always reflected in the simple price.
Let’s get to the kermesse: present at the fair since 1997, this year we will see it among the stands of Cremona Musica. What will it present to the public?
For the event I prepare two complete quartets every year: one with gold finishing and the other in silver, making bows for two violins, a viola and a cello. The challenge is to create beautiful and effective ones at the same time. It is always a great emotion to participate, and for the occasion I look for the best ebony. Being here represents a moment of professional pride, where I can exhibit the best of my production.
